an English heaven. The description of the poppy spasms of paper red, disrupting a blockade / of yellow is a powerful piece of imagery, especially considering that spasms of paper red on a blockade could just as easily be a description for a soldier killed in action. Without attempting to boldly declare any kind of rules for writing poetry, deep and moving poetry is generally written through a process of raw emotion. As a result, almost half of the Light Brigade died. He speaks in the guise of an English soldier as he is leaving home to go to war. He also repeats key words and phrases to emphasize the extraordinary courage of the English soldiers, as well as a Biblical allusion to heighten the spiritual impact of the poem. Unlock Content, over 70,000 lessons in all major subjects. The spirituality in The Charge of the Light Brigade promotes Tennyson's important theme of patriotism, by elevating a relatively small battle to one that is glorious and is fought by soldiers intent on maintaining patriotic ideals. In the final line of the first stanza, nature takes on a religious significance for the speaker. This battle resulted in many British casualties. During a time when British soldiers were fighting in Iraq and Afghanistan, Carol Ann Duffy, the Poet Laureate of Britain, asked a number of writers to create works to frame the ongoing war, among them Jane Weir.
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How was the poem used during the war and after the war? Although mostly recognized as the author of the In Flanders Fields poem, in his short life there were many other John McCrae accomplishments; as a physician, teacher, author, poet, soldier and military leader. As in Shakespearean sonnets, the dominant meter is iambic. He is washed by the rivers, suggesting the purification of baptism, colonial opposition to Great Britain and blest by the sun of home. Rupert Brooke (1887-1915 in the first stanza (the octave of the sonnet) stanza, he talks about how his grave will be England herself, and what it should remind the listeners of England when they see the grave.